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- Life In Your Way - "Kingdoms" (3-CD) - (Adapted from Vocals word for word)
- Hundredth - "Let Go" - (Adapted from Vocals word for word) - (incl. Track-by-Track Commentary by vocalist Chadwick Johnson)
- The Devil Wears Prada - "Dead Throne" - (Adapted from Vocals word for word)
- August Burns Red - "Leveler" - (Adapted from Vocals word for word) - (incl. Streaming Links and Band Commentary for select tracks) - (completed)

Flatfoot 56
Hundredth
MXPX All-Stars
Norma Jean
The Chariot
The Devil Wears Prada
- Life In Your Way - "Kingdoms" (3-CD) (FREE Digital Download) - (Kingdom Records / Come&Live! - October 25, 2011) (Release Presentations)
- Life In Your Way - "Kingdoms" (3-CD) (Lyrics Database)
- Hundredth - "Let Go" - (Adapted from Vocals word for word) - (incl. Track-by-Track Commentary by vocalist Chadwick Johnson) (Lyrics Database)
- Hundredth - "Let Go" (Digipak) - (Mediaskare Records - September 27, 2011) (Release Presentations)
- Thrice - "Major/Minor" (Vinyl LP) - (Vagrant Records - September 6, 2011) - {200 MORE LPs made available by distributor (previously sold out)} (Release Presentations)
- Thrice - "Major/Minor" - (Vagrant Records - September 20, 2011) (Release Presentations)
- The Devil Wears Prada - "Dead Throne" - (Ferret Music - September 13, 2011) - {Link to FULL ALBUM STREAM added} (Release Presentations)
- The Devil Wears Prada - "Dead Throne" (European Release) - (Roadrunner Records - September 9, 2011) - {Link to FULL ALBUM STREAM added} (Release Presentations)
- Through Solace
1 comment
- Advent
2 comments
- xDeathstarx
1 comment
- Destroy The Runner
1 comment



Flatfoot 56 - "Black Thorn" (European Release)
I Hate People Records - Summer 2010 - {Four new songs posted on MySpace; Fun-Flatfoot-Family-Photo added}
July 30th, 2010
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Flatfoot 56 - "Black Thorn"
I Hate People Records - Summer 2010
I Hate People Records - Summer 2010
01. The Escape (Intro) (1:27)
02. Black Thorn (3:23)
03. Born for This (3:38)
04. Courage (3:55)
05. Smoke Blower (2:19)
06. The Hourglass (3:27)
07. Shiny Eyes (2:56)
[View Backstage Acoustic Live Video]
08. We Grow Stronger (2:57)
09. Son of Shame (2:48)
10. Stampede (2:45)
11. You Won Me Over (3:03)
12. Way of the Sun (2:41)
13. Hot Head (2:31)
Total Playtime: 37:50
from left to right: Eric McMahon (bagpipes, guitars), Kyle Bawinkel (bass, vocals), Justin Bawinkel
(drums, vocals), Brandon Good (mandolin, guitars), Tobin Bawinkel (vocals, guitars)
(drums, vocals), Brandon Good (mandolin, guitars), Tobin Bawinkel (vocals, guitars)
FLATFOOT 56 - "Black Thorn" - Biography 2010
Since the year 2000, Flatfoot 56 have steadily unleashed a rollicking barrage of Celtic punk and folk-tinged hardcore from the South Side of Chicago to an international audience with intense and positive party-like energy. Coinciding with their 10-year anniversary, Flatfoot is set to launch the release of their third label-backed studio effort, Black Thorn, in summer 2010 in Europe.
Led by spirited frontman Tobin Bawinkel (vocals/guitar), along with brothers Justin (drums), and Kyle (bass), and multi-instrumentalists Eric McMahon (bagpipes/guitar) and Brandon Good (mandolin/guitar), the band is fueled by a sense of camaraderie that directly translates to their die-hard fans and highly energetic live shows. "We really try to create a positive environment every time we play so people feel comfortable and can let loose. It’s an experience that everyone is a part of," explains Tobin.
Produced by the Street Dogs’ Johnny Rioux, Black Thorn tightly packs the quartet’s eclectic and driving musical charge into thirteen tracks that celebrate the pride of the working class and their Chicago roots. A collection of songs that delves into weighty thematic content, Tobin explains that the cohesive theme of Black Thorn is a fundamentally universal one. “Everyone goes through hardships, but you aren’t alone. Punk rock is about community and brotherhood. This record is our contribution to that.” As cathartic as it is ambitious, Black Thorn is an emphatic assault that remains vintage Flatfoot in its effortless combination of Celtic instrumentation and street corner punk rock. Bagpipes and mandolins remain just as vital as drums and guitars in defining Flatfoot’s sound.
While other bands run the risk of turning their message into overbearing banter from high on the soapbox, Flatfoot 56 remain true to their ability to convey the profound all while allowing fans to get lost in the sheer energy of the music. The band’s multi-faceted approach to their craft, both in substance and in presentation, ensures that from the novice to the die-hard fan, everyone walks away with a reason to come back. After ten years of tour-vans, dive bars, late nights, diverse crowds, broken bones, blood, sweat, and tears, Flatfoot 56 offers sincere semblance of the tradition behind the music. When you have a reason to sing, you will sing louder. And when you have a reason to dance, you will bring the house down brick by brick.
The band’s sonic arsenal, which includes classic rough-and-tumble albums Knuckles Up and Jungle Of The Midwest Sea, captures both the nostalgia of brass tacks street punk and hardcore as well as inspiration taken from traditional Celtic folk. Within this musical fury, Flatfoot 56 attacks dark and pressing subject matter – avarice, strength, faithlessness, courage, and cowardice – that speaks volumes of the values and principles on which the band was founded.
The band’s forthcoming album, Black Thorn, will be released by Old Shoe Records in the United States, Stomp Records in Canada, Big Mouth Japan in Japan, and I Hate People Records in Europe.
Led by spirited frontman Tobin Bawinkel (vocals/guitar), along with brothers Justin (drums), and Kyle (bass), and multi-instrumentalists Eric McMahon (bagpipes/guitar) and Brandon Good (mandolin/guitar), the band is fueled by a sense of camaraderie that directly translates to their die-hard fans and highly energetic live shows. "We really try to create a positive environment every time we play so people feel comfortable and can let loose. It’s an experience that everyone is a part of," explains Tobin.
Produced by the Street Dogs’ Johnny Rioux, Black Thorn tightly packs the quartet’s eclectic and driving musical charge into thirteen tracks that celebrate the pride of the working class and their Chicago roots. A collection of songs that delves into weighty thematic content, Tobin explains that the cohesive theme of Black Thorn is a fundamentally universal one. “Everyone goes through hardships, but you aren’t alone. Punk rock is about community and brotherhood. This record is our contribution to that.” As cathartic as it is ambitious, Black Thorn is an emphatic assault that remains vintage Flatfoot in its effortless combination of Celtic instrumentation and street corner punk rock. Bagpipes and mandolins remain just as vital as drums and guitars in defining Flatfoot’s sound.
While other bands run the risk of turning their message into overbearing banter from high on the soapbox, Flatfoot 56 remain true to their ability to convey the profound all while allowing fans to get lost in the sheer energy of the music. The band’s multi-faceted approach to their craft, both in substance and in presentation, ensures that from the novice to the die-hard fan, everyone walks away with a reason to come back. After ten years of tour-vans, dive bars, late nights, diverse crowds, broken bones, blood, sweat, and tears, Flatfoot 56 offers sincere semblance of the tradition behind the music. When you have a reason to sing, you will sing louder. And when you have a reason to dance, you will bring the house down brick by brick.
The band’s sonic arsenal, which includes classic rough-and-tumble albums Knuckles Up and Jungle Of The Midwest Sea, captures both the nostalgia of brass tacks street punk and hardcore as well as inspiration taken from traditional Celtic folk. Within this musical fury, Flatfoot 56 attacks dark and pressing subject matter – avarice, strength, faithlessness, courage, and cowardice – that speaks volumes of the values and principles on which the band was founded.
The band’s forthcoming album, Black Thorn, will be released by Old Shoe Records in the United States, Stomp Records in Canada, Big Mouth Japan in Japan, and I Hate People Records in Europe.
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